![]() ![]() Space made for not one but two of the six featured guests, Rick Ross and J. Some references to his own armament aren't metaphorical. Miguel sings of being a vigilante and rebel, of "terror on her mind," and Korean missiles. Although direct references to various intensifying issues are saved for the sparse finale "Now" - in which police brutality, immigration, polluted water, and inadequate disaster relief all get time - the majority of these songs are at least loosely inspired by the distressed climate. It didn't help that the penultimate number was "Pussy Is Mine." After the sleazier Wildheart, his second Top Five album, human rights issues naturally fueled Miguel's writing to a greater extent, as heard on War & Leisure. Come Through and Chill - (featuring J.When Miguel lamented inequality and its manifestations on the closing track of Kaleidoscope Dream, it seemed forced, heartfelt as it was, like the singer was reaching to display some depth. Caramelo Duro - (featuring Kali Uchis)ġ0. Pitchfork (Website) - "He's weaved an album that's taut and economical, like a featherweight champion landing smoothly choreographed jabs in the form of powerfully raspy harmonies and tight, lusty blues runs."Ĭlash (Magazine) - " retroactive visage of a summer-driven record, a carousal of breezy nostalgia - think surf-rock flourishes, Marvin Gaye soul-funk and soft psychedelia."ĩ. Paste (magazine) - "gain, he's going his own way.It does find the man in a brighter, breezier place, generally speaking." NME (Magazine) - 4 stars out of 5 - "This new record is stuffed with killer hooks, bouncing rhythms and breezy production." Spin - "Anchored to the electric guitars he strums here more often than ever, WAR & LEISURE is more than anything a valentine to untrammeled pleasures."Įntertainment Weekly - "The charismatic 32-year-old is as sensual as ever on his lush fourth album, which continues his inspired fusion of genres ranging from R&B to rock to electronic music." Rolling Stone - 3.5 stars out of 5 - "'Pineapple Skies' punctuates its bubbly synths with speaker-rattling bass hits.While 'Now' ends the LP with Miguel's voice slicing through clouds of guitar, as he reels off a list of social ills." ![]()
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